On Horror Writing (w/ Free Horror Business Download)

Here’s Horror Business, in its entirety, up for download for you tablet/ereader/computer-reader folks. Since my mom gave me a Nook for Christmas, I’ve become impressed with the ease and convenience of tablet/ereading – especially when friends send drafts of screenplays, novels, etc.

Anyway, here’s the pdf of my first novel. I wrote it between the ages of 22-23 during a time when I was obsessed with B-movie horror and reading a lot of horror theory. At the time, I think I wanted it to come off as my own critique of horror and male adolescence. Really pretentious stuff.

I self-published through Lulu, sold enough copies to pay my Brooklyn rent for a couple months (thank you family and friends!). It’s gone through a couple revisions, gotten a shout-out by Jim Ruland, but I think it’s pretty much gone as far as a self-published piece can go.

“Bradford’s debut is both a spirited homage to horror and a cautionary tale about the perils of loving scary movies too much.” – Jim Ruland

There is some admittedly embarrassing writing (plot-devices), but there’s also some really sharp scenes that I can go back and read without closing my eyes. It wasn’t until I started researching places to submit that I realized how hard it is to sell horror without relegating it to genre-fiction. I think that Horror Business is a little more introspective (timid?) than  bloodlusty/Fangoria-esque writing that marks genre horror, but maybe not as lyrical as some of the horrific indie-lit that comes to mind (done really well by Blake Butler and Nick Antosca).

Let me know what you think. I hope you enjoy it. I hope it scares you a little bit.

 

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Fox Smoulder

These are about 15 years too late, but somebody’s gotta try and break the Ryan Gosopoly. Happy VD!

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You’re Not Unemployed. You’re a Freelance Writer.

“It’s for a student movie.”

These are the words Mike Gooodman uses when his mom catches him masturbating in front of the family video camera.

Granted, there aren’t many things to say in this situation: sitting at the edge of your bed, covered, waist-down, while the camera pointed at your crotch counts the seconds out. It’s amazing that he thinks of anything.

And even more amazing that Mrs. Goodman seems to buy it. She is a lot of things: devout Mormon, government conspiracist… But Mrs. Goodman has never been a connoisseur of the arts.

But for his next birthday, Mike receives his very own video camera, so he can film whatever he wants, on his own time, without endangering the family equipment.

We never ask Mike why he was filming himself. Let me remind you that this is before the age of camera phones or sexting; no youtube, no porntube, no youporn. The only audience for this video is Mike, and the amount of meta that goes into making a masturbation movie for your own enjoyment is some fifth-level Inception shit.

We’re not excited about why he does it, we’re just excited about that he does it. In the name of art! The Student Film. Any tomfoolery is tolerated when you’re holding a video camera. And one thing is for sure: Mrs. Goodman never bothers us again.

Over the years, the phrase “It’s for a student movie” becomes less believable. Youtube comes along and makes the Film Degree the biggest joke of academia. Suddenly, everyone is jerking off in front of cameras and nobody cares about the mise-en-scene or the F-stops anymore. It’s all poor lighting and awkward angles. It’s disgusting.

I jump ship to the second-most useless degree. I become an English major.

I become a writer.

After four years of traversing the English program, I emerge on the other side with more knowledge of the phallus than Mike’s movie could ever teach me; I also come out with a line. The line, in fact! The five words that get me into and out of every adventure of my adult life: “I am a freelance writer.”

The beauty of this role is that it doesn’t require credentials, props or costumes (although a grizzled beard won’t hurt). Even the English degree is unnecessary. You, you and you, sir, can all be freelance writers!  Even the title sounds attractive: Freelance —you answer to no one. Writer—you probably have access to top-notch antidepressants.

“I’m a freelance writer.” The line gets me into music and film festivals. I get VIP treatment at the CMJ music showcase. I meet my hero George Romero. I get access to more House Party-themed photo-shoots than the average person.

I use it to get an internship at Vice, a magazine that champions a narcissistic and misanthropic tone. The perfect home for a writer.

But in this environment my freelance power fades. I’m simply known as The New Guy. The other intern, an 18-year-old fashion blogger, uses her title to seduce the entire editorial staff, none of whom are at all interested in my story lines. I spend my days cleaning toilets assaulted by vegans and fishing American Spirits out of ashtrays, waiting for the opportunity to show them that I am more than just The New Guy.

That opportunity comes in the form of an invite to a cooking presentation. The email reads:

 Vapor cooks better

Learn Why & Taste How

Join us for the Launch of 360 Cookware — a revolutionary, eco-advanced

new line with an innovative new cooking method.

Don’t get me wrong: this sounds like capital The Worst, but I’m sure no one else will volunteer to cover it—automatic blog post for me. Also, I’m poor and fairly certain I can get a free pot out of it. (Cooked ramen? Everything is going Bradford!)

According to the email, the demonstration centers on these pots that utilize the “power of vapor” to cook food better. How is this different from steam? I’m not sure, but I am thrilled to call bullshit. I pitch the idea for the blog and the Vice editor says yes.

I get to the place—some non-descript warehouse loft on the Upper East Side of Manhattan. Outside, a group of food-bloggers have gathered to bitch about some terrible restaurant that just opened. I try to fit in by sharing the only bit of food-knowledge I know: That the first KFC was built in Salt Lake City. One of the writers smugly says “I knew that.” It makes me want to stomp on both his toes and say “Double down, mutha fuckaaaa!” I run inside instead.

The man who guards the entrance cannot find my name on the RSVP list.

This is the moment.

I stand straight, look him in the eyes, and don my Freelance Writer disguise.

“Oh, I’m sorry,” I say, “I’m a freelance writer for Vice Magazine. There must have been some mix-up.” The man with the list gets the biggest smile. A little stream of drool falls out of the corner of his mouth.

“My and my friends love the Dos and Don’ts,” he says.

I say, “Thank you, I write all of them.”

He ushers me in.

A spokeswoman from the 360 company takes us into a serene, bleach-white loft that looks less like a set for a cooking presentation and more like a scene from Gattaca. Everyone is well-dressed and has that passive, blank stare that I assume people from the future have. I become aware of my own stained shirt and ripped jeans, so I start the game I play when I’m in awkward situations: become the drunkest person in the room in the least amount of time.

Once word gets out that I am from Vice, people begin treating me with the same trepidation and fear as you would upon finding and viewing your son’s masturbation video. One of the marketing women from the 360 company starts talking about online traffic and the business-prospects of twitter, but since I only tweet about haunted houses and Dunkin Donuts, I can’t relate. The conversation ends with me recommending that she “tell the boys in the lab to make a 360 pot big enough to cook a turkey.” I say this with the conviction of a man who cooks turkeys on the reg. She does one of those “I’m gonna  stand over there” things.

By the time the actual presentation starts, I am about five or six cabernets in so the details are a little hazy. I do remember that there are five layers of stainless steel in each 360 pot and that cooking with vapor “locks in the flavor.” They keep describing how the food is “moist” and “stewing its own juices.” It grosses me out so I leave.

On my way out, the enthusiastic Vice fan gives me a door prize: my very own 360 pot! (I also take a wine glass, which isn’t a door prize, but pretty easy to fit up my sleeve)

The first thing I do when I get home is test the pot myself. I can’t wait to call bullshit. I am dismayed, however, when the awesome vapor locks in my ramen’s Oriental flavor. Vapor: one; freelance writer: zero.

So how well did my investigative, writing piece go over at Vice? Well, I still freelance for them. They just don’t know it.

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Making of – Last Night on Earth book cover

I recently came across an article that heralded the importance of cover art, to which I absolutely agree. I think  the “You can’t judge a book by it’s cover…” saying is more applicable to people in Rachael Leigh Cook movies than books now.

At the moment, I’m co-editing a collection called “Last Night on Earth” – a novel approach to the anthology that travels through multiple authors’ final 24-hours – what they would do, how they would live, etc. Kind of like a crowd-sourced book. The stories range from bleak, funny, heartbreaking, despairing and hopeful.

I wanted to design a cover that encompassed all of those. This is what I came up with:

I knew I wanted it to be black and white. I wanted it to be stark. I had the idea of the world blown away like sand. You can kind of do this effect in Photoshop (with the smear finger), but I’ve never had much luck getting things to look organic with that. So I searched “earth stencil” in google which came up with:

I threw that into photoshop, inverted the image and made it black and white — so black continents on a white ocean. I printed that image out.

Using a Uni Ball Vision Elite BOLD pen, I scribbled on the edges of the continents. The ink in these pens is very susceptible to smearing, so after scribbling I ran my finger over it… creating that smeared/blown-sand look. I had to do it a couple times to get the wind-direction somewhat consistent.

Finally (original scan):

I liked how it looked slightly Stephen Gammell-ish, but ultimately didn’t like the garish, coal look. I threw it back into photoshop, re-inverted the image, and upped the levels. It looked good. It looked like sand/snow-blown. But it also looked glowing – as if everyone’s last night is going to be lit-up, celebratory. It seems bleak and uplifting at the same time. Singular and iconic.

Hopefully, you enjoy it.

 

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I Went to a Pyramid Scheme Yesterday

There is nothing more soul-crushing than the job hunt. (I wonder how many internet articles within the last two years have started out like that). But it’s true: there’s no other activity that concentrates your value and worth as a human being/productive member of society into a sheet of paper and the ability to sell yourself without looking desperate. Yet, the more time you spend unemployed, the more desperate you become: a vicious catch-22 that makes it HARDER to become employed the longer you are unemployed. You seek out weird outlets, go to great lengths to meet requirements to jobs that you have no previous interest in. For example, I spent 5 days writing Yelp reviews to boost my profile for the job of Community Manager in North County San Diego… basically professional party guy (or the equivalent of Slurms McKenzie, Ke$ha). It’s not a job I’m qualified for, or even want… but it was a job.

You’re sending out resumes by the boatload, so when I got the phone call from “Sa;lfkj from the company dapfjpaf,” all I heard was “We saw your resume on Careerbuilder.” She sets up the interview, tells me to wear a tie because I was going to meet with a “lot of top executives”. Sounded important. After the call, and since she didn’t repeat the name of the company, I go to my email, search “Careerbuilder” and see that, indeed, I had used the site to apply to Vistage – a peer-to-peer coaching group for CEOs, or the facebook for billionaires.

I drive to a business-park office in a sea of other businessy things. Seems like a legit place for a powerful company to maintain a low-profile status. However, the inside is a bit shabby. Temporary carpet lines the hallways. It smells like paint (not fresh). The interview is supposed to take place in suite 106, but there is no listing for that suite on the building’s directory.

“Well,” says my naivety, “maybe it’s just so exclusive that they don’t advertise on the directory.”

The door to Suite 106 has a sheet of paper with the words “American Income Life” typed on it. Regular font, not even stylized. No logo. I push the door open and find a sterile, bare-boned waiting room with a bunch of professional ladies buzzing about. There is a big clock behind the reception counter engraved with three last names, much like an attorney’s office.

It’s obvious by now that this was not Vistage, the company I thought I was interviewing with, but it’s an interview with someone. “Um… I’m Ryan Bradford? I’m here for the interview?” I ask.

The receptionist looks up and is like “Oh, Mr. Bradford!” She might as well have said: “We’ve been waiting for you!” She hands me a clip-board and a sheet to fill out, much like a doctor visit. She says Vanessa will be right with me.

I feel like Michael Douglas from The Game. Other applicants began filing in, each given a clipboard. I filled out the sheet and that moment, a young woman called me back. “How are you doing? Did you find the place alright?”

She asks for my resume. I give it to her. While she reads it, I listen to the racket in the hall. At least five other applicants are greeted by: “How are you? Did you find the place alright?” Body Snatchers much?

“Looks like you’re a writer,” says the woman after going through my resume. “Well what we’re looking for is someone who sees themselves in upper management, do you think that’s you?”

“Yes,” I say, sliding back into professional interviewer mode. “That is definitely me.”

We have a very general back-and-forth, where she asks questions like “where do you see yourself in five years?” “what are your weaknesses?”… etc. And I’m answering them with aplomb! Bam: self-starter! Bam: great collaborator! Bam: engaging with strong minds! By the time she asks, what value I can bring to the company, I’m shouting “HONESTY!” like a half-delusional Andre the Giant. She stands up, shakes my hand and says “Congratulations, you’ve just made it to the next level of the interview!”

No joke.

I strut – STRUT! – down the hall. Next level. Hell yes. Again, I have no idea what the company is or what it does.

I turn the corner and my stomach drops. All the other applicants sit in classroom chairs waiting for something to happen at a podium. My brain goes: FFFFFFFUUUUUUUUUU– I see it all. The charade. I turn to leave and a strong guy in a business suit steps in my way. With a huge smile he says, “Just take a seat anywhere.”

Artist Rendition of John

Enter our speaker, John, an Eric Wareheim-looking character with knifey sideburns that extend down to his neck. He wears large rings, bracelets and a black suit that doesn’t fit right. Obviously, very coked up. He begins with a story about after college, all he wanted to do was make six figures. Sniff. He flashes a ring that does not cost six figures.

The company is American Income Life, which we finally learn, provides life insurance. Of course it does. He begins going through his schtick, writing figures on a white board, putting apostrophes where they shouldn’t be: four day’s a week. He can’t spell commitment. He goes on about how AIL serves blue-collar families and unions.

He talks about how fast we’ll make management, how fast it takes for us to move up the ladder. Nobody seems to realize he is literally describing the structure of a pyramid. I look around to see if anyone is catching this, but no–everyone just cares about the mad commissions they’ll make. They’re dreaming about living John’s life. And this strikes me as beyond sad. People are so desperate for jobs right now that it clouds their vision.

Before we leave, John says that some of us will be getting a phone call that night. He ominously states: “This is a very competitive position, so be sure to answer the phone.” Everyone buzzes with excitement as we leave, just hoping for that phone call.

So, what’s the moral of the story? I don’t know. But if any of you need life insurance, hit me up. I’ll give you a good deal.

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In Defense of the Tribal Tattoo

The tribal tattoo is the mark of a douchebag, right? Maybe not. Read the article I did for San Diego CityBeat where I defend (or surrender to) the tribal tattoo.

Alternative take. CityBeat didn't want to use the dead-eyes.

 

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Yelp Reviews from the 1800s

GROCER – 5 Stars

Wild chickens run through the aisles and peck at the dry goods. Flour leaks from sacks caused by rat or other animal bites. Flies hover around a butchered, brucellosis-infected piece of meat. I had to battle a gang of unruly, soot-covered children who pillaged the food like it was free for the taking.

But my family’s going to eat tonight. And they had milk.

SOCIAL CLUB – 5 Stars

The finest selection of warm lager here! The mood is accommodating, with a lively conversation regarding the new tanning process of leather belts and other hipster fashion.

Barkeep was quite surly, but given the plight of going on in his homeland, who can blame him? Godbless him all the same.

RESTAURANT – 5 Stars

There are two items on the menu. TWO! The owner must be doing quite well for himself.

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