Please buy Black Candies or my entire life will turn out to be a sham

bcseethroughcoverI’ve been working on this anthology—Black Candies: See Through—for the better half of 2013. Really proud of it. Feels like a lot of blood has gone into it.

It’s weird because, even though I don’t have any writing in this one, it feels very personal. I will call myself a horror fan, but I find the “horror” tag pretty reductive in general. When people think of “horror” they think genre, blood and guts, vampires, monsters, whatever. The stories in “See Through” represent my favorite kind of writing—haunting, funny, weird, dark, lyrical. One of my favorite things about editing these books is soliciting writers who aren’t necessarily known for dark writing and letting them loose. We all have it in us, and those that can indulge in “genre” (even though that’s not really as defined or stigmatized anymore) are my kind of people.

(Click here for list of contributors)

Also, this year marks a turn in Black Candies that I’m particularly proud of: we have more women writers than men. As I’ve said before, I don’t want that to a point of diplomacy or a shallow attempt at political correctness, but more of a correction to my personal reading habits. I would love for Black Candies to correct the trajectory of male-dominated lit journals, and that we’re a horror anthology—a genre where women are notoriously underrepresented—that’s incredibly exciting. I have to give a big shout-out to Roxane Gay, who helped me get some really great women writers, writers that I can now count among my favorites.

Finally, I would love to give a shout out to Justin Hudnall and So Say We All, the literary organization here in San Diego that I’ve been involved with for the past three years. I’m proud of what organizations like ours do for the quality and demographic inclusiveness of our art in contrast to profit-minded publishers. And with these Black Candies books, Justin provides unquestioning support. Not everyone can publish books without having to resort to Kickstarter or Indiegogo (which is not meant as a dig at crowd-funding or anyone who uses it—I just feel they create a lot of extra work)—I feel lucky to have the circumstances where we can create and produce without having to rely on too much outside assistance. Thank you, Justin.

Other thanks: all the writers and artists who donated their work. It’s always difficult to ask for writing without offering pay, and I completely understand those who didn’t submit stories due to that fact. But those who did: you’re making my dreams come true.

Thank you Jay Wertzler: my writing partner and co-editor. I’ve never worked so well with anyone before. If you don’t have someone who will read your stuff and provide as much quality feedback as Jay, I’m sorry.

And of course, Adam Vieyra. He creates and designs beautiful books. I would be stuck in zine land, probably still using Chiller font, if it wasn’t for him. He did the majority of “See Through” in one day—I was there. Watching him work is like watching a beautiful time-lapse.

blackcandiesprogression(Progression from stapled zine to current issue)

Anyway, enough of the sentimental stuff. I hope you enjoy it!

And please add on Goodreads.

xo
Ryan

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Two books with one stone: Black Candies and Last Night on Earth

Over the last two months, my friends and I have been at work putting together two books, and this morning, we can finally put the nail in both of them. It’s quite an accomplishment, really, and I want to tell you about them.

First off: Black Candies – a journal of literary horror.

Black Candies has been a passion project of mine to get some of my favorite literary writers to indulge their most horrific writing. This year, I got five great writers to write on the theme of “Post Apocalypse” (a concept I’ve been obsessed with over the last year); with some really great variations on said theme. The line-up for these authors goes:

Oh and the thing has art too. Some really great art, in fact. I really don’t want to show it to you cuz that would give it all away. Here are the artists:

So yeah, the stories in here are scary. Perfect time to get your spooks on!

Next book is Last Night on Earth.
If you’ve been reading my blog, you’ll know that I’ve talked about this book here before, and there are really too many authors to call out, but it’s so, so great. My constant collaborator/friend/partner in crime (also Black Candies contributor) Jay Wertzler did the book design on this one. When I woke up to find his finished pdf in my inbox, I had to stand up and walk away from my computer. It’s just so breathtaking to see something you’ve been working on for so long finally be real. It has a face now – a glorious, immaculate face. Again, I can’t thank him enough for his hard work.

And of course, none of these would’ve been possible without Justin Hudnall, a true frontiersman. His constant encouragement and belief has made both these projects not only possible, but bigger and greater than anything I could’ve accomplished on my own.

I’ll keep you posted on when/where to get them.

Spotlight on Clydestown

Did you ever want to know what goes into conceiving and producing a narrative story told in real-time using a calendar as a backbone?

Catch the Light, a site dedicated to showcasing artists around San Diego, has chosen to focus its spotlight on my and Jay Wertzler’s Clydestown Society of Mystery and Intrigue Presents: 2011, our ode to serial storytelling, multi-platform media and mysteries.

Small Victories

– First off, SD CityBeat (San Diego’s best paper) is running a reader poll for their upcoming photo issue and one of mine (pictured above) made the cut! If you could tell your all your friends, family, dogs, and Nigerian email scammers to go vote for Photo 10, that would mean the world to me!

– Me and Jay have been sending copies of our Clydestown project – an experiment in real-time story telling – over to the good folks at McSweeneys. The other day, we got a response from their managing editor, Jordan Bass:

Subject: Clydestown

Hey Ryan, and Jay, thanks for sending your calendar, and everything else–it looks like an epic undertaking, which is always fun to see. Hope it’s going great on your end, thus far–here’s wishing you great luck for the rest of the year. Many thanks for letting us see this one–

Jordan Bass, McSweeneys

It seems pretty astonishing that it got that far up the ladder considering how much mail they probably get. Anyway, it was certainly reinvigorating and motivation to step up our game during the second half of the project.

– Edgewater, my dark and sexy comic, is slowly becoming real. We just posted an update where you can see the transition from script to image. So fascinating!

Now if I could only find a way to get paid for doing this…